frenchpony (frenchpony) wrote,

  • Music:

Immediate Hobbit Report

I had a fantastic time. There were a few things I would have done differently (including, but not limited to, recasting Thorin, Fili, and Kili and rethinking the idea of having Thranduil ride a . . . moose-elk hybrid-thing? Melk? E-oose? Whatever that thing was.), but in general, I thought it was a fine opening to The Hobbit. It maintained two of the things I loved most about Jackson's Lord of the Rings and King Kong, which are the sense of scale and architecture and the physicality of the action. By which I mean not just that there's a lot of action sequences, but that everything -- action sequences included -- is done with great physical commitment and with full weight. When things land, you really feel them land.

I might post a longer review later on if I remember to do it, but just the basics here. Does Jackson's The Hobbit clear the lowest bars?

Exhibit A: First sight of Rivendell.

Tolkien: O! What are you doing,
And where are you going?
Your ponies need shoeing!
The river is flowing!
O! tra-la-la-lally
here down in the valley!

O! What are you seeking,
And where are you making?
The faggots are reeking,
The bannocks are baking!
O! tril-lil-lil-lolly
the valley is jolly,
ha! ha!

O! Where are you going
With beards all a-wagging?
No knowing, no knowing
What brings Mister Baggins,
And Balin and Dwalin
down into the valley
in June
ha! ha!

O! Will you be staying,
Or will you be flying?
Your ponies are straying!
The daylight is dying!

To fly would be folly,
To stay would be jolly
And listen and hark
Till the end of the dark
to our tune
ha! ha!


Point Jackson.

Exhibit B: Thranduil



Point Jackson.

Low bars completely cleared. More later.
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